One Last Push…

2017

Hard to believe it’s almost Halloween. Last weekend was my last show of the year, the Halifax Pop Explosion Zine Fest, and I had a good time.

If you’re interested, I did manage to put together a new illustrated zine for it, an adaptation of Carmaig DeForest’s song “Hey Judas”, which was originally written as a takedown of then-President Reagan. I updated it for the current occupant of the Really White House and created some illustrations that depict what Hell would be like for Donald Trump. I decided to make it an extra challenge for myself by making the zine through 100% analog tools; it was all hand-drawn, painted and lettered. Fun, right? Anyway, there are a limited number of printed copies of the zine left – I will list it in my comics/zine store for those who want it.

As you can see in the picture for this post, there is also a new print called “Donair Trail” that borrows the design of some Nova Scotia provincial highway signs. I’m going to look into local distribution but if you are out of the HRM and would like one, you can order through InPrnt.

One of my goals for 2017, after a 2016 where I did some shows but was a bit disappointed with the results, was that I was going to upgrade the things I had to offer; I wanted to collect and publish some of my favourite older material, create and publish some new books, and work harder in general on the quality of my illustrations and prints. Overall, I feel like I have achieved those goals, so that feels good. Having the books available for sale, especially The Insult and Young & Dumb, had a positive impact on sales and generated some very welcome feedback. It was interesting and invigorating to “level up” my publishing efforts from trying to do everything myself to working with print on demand. I feel like it helped me turn a page, if you’ll pardon the pun.

There is still some older material I want to publish, most notably my old MA thesis as a monograph and my first three NaNoWriMo novels, but they all need significant editing, so if I can get those done by this time next year, that would be great. Of course I also want to get some new comics done, and illustrations, and perhaps look into listing my stuff on digital services like Comixology. I have also been thinking about a new project that would consume a good chunk of time, but I think it would be a fun challenge, so… we’ll see.

If it sounds like I am talking as if it’s the end of the year, it’s because it kind of is for me. The last few years I have been loosely planning my projects month by month, with a general plan for the entire year done in advance so that I can try to have something new to launch at the shows that I do.

But the end of the year has pretty much been the same since 2014: in October I do Inktober, a daily challenge for artists to draw something in ink every day. I’ve been doing it this year too- you can see it on my Instagram– and I think this year has been my best overall.

In November I’ve been doing National Novel Writing Month, a great way for experienced and amateur writers  to quickly knock out the first draft of a novel and raise money for school writing programs. I was able to complete the challenge on my first two tries but came up short last year due to some personal issues. I’m about to do it again for this year, so wish me luck.

December is not exactly a month off – I usually wind up doing an illustration or two for xmas presents, plus I draw custom gift tags and plan projects for the next year. Mostly I try to relax and enjoy time with family and recharge.

So, yeah; one last push for this year- NaNoWriMo- and then the holidays and snow and all that will be upon us. I’ll try to post here a little more often, especially about the new stuff as it becomes available. If you’ve made it this far, thanks as always for your support. I hope you have a great remainder of  the year. I hope we all do.

 

Advertisements

A Book! A Book Comes!

young_dumb_coverIt’s true! This past weekend I had the pleasure of launching a new book at the Dartmouth Comic Arts Festival, a retrospective of my 25+ years making comics called Young, Dumb, and Full of Comics. It contains material dating back to 1991, including many out of print stories and mini-comics.

If you are in the Halifax area, you can get a signed copy at Strange Adventures or watch for it to roll out to some other local spots (including other Maritime cities) over the next few weeks. If not, you can order online through Amazon – see the Books page for links for the US, UK, and Canada.

Special thanks as well to my old friend Jason, who wrote the introduction, and to my wife Nicole and son Jack for their love and support. My old pals Mark Dykeman and Kari Smith are represented in the book as well. I’m really happy with how it turned out and how it makes a nice sort of time capsule of my developing years as a cartoonist. I think another reason why I’m happy about it is because it feels like a good place to close the door on the kind of comics I’ve been making and move on to some that would be more challenging to make. Maybe even some in colour (gasp!)

If you buy the book, thanks. If you can’t for whatever reason, that’s OK! Request that your library order a copy, write a review on Amazon or Goodreads, tweet about it – it all helps!

Adventures in Publishing

I’ve dusted off this old blog and will try to post something useful here once in a while, probably about projects that I am working on.  If you’re interested in other kinds of content, you can also enjoy my angry retweets on Twitter, reblogs of useful art tips on Tumblr, and a very infrequently updated Facebook page.

Anyway. I’ve posted before, here and there, about how I am a project-oriented artist. So much so that I keep an Access database of things I want to get done, from comics and illustrations to animations and card games. I usually have more than one thing going on at a time, for the sake of variety.

As 2016 came to a close, I realized that it had been around 25 years since I started drawing comics in earnest. Most of them were self-published at copy shops and distributed around wherever I was living at the time, and while I still have decent scans and file copies, most of them fell out of print. Sometimes I would make them available for download online as PDFs.

I thought that it might be nice to mark that 25th anniversary with a collection – something I could publish through a print on demand service, make available to actual bookstores and libraries as well as comic shops. So, I looked around at my options and decided to try Amazon’s print on demand service, CreateSpace.

Then I realized: why not bring back other stuff into print? I have also written plays, novels, tons of film reviews, and webcomics. I decided to try publishing one of my plays, An Otherworld, first. I already had the interior pages saved as a decent PDF, so all I had to do was design a cover. The entire effort took less than a day, and within a week I had copies in my hand. The quality was good, so I did another book of plays and then decided to try a collection of comics, to see how well the artwork would print.

That collection of a webcomic I did last year, The Insult, turned out very well, I think. So, I am currently dividing my time between getting that book into stores and assembling the pages for the next one, the aforementioned retrospective which will be called “Young, Dumb, and Full of Comics.” After that, probably one of the novels, and after that, a collection of film reviews and essays.

If you wind up checking any of them out, I hope you enjoy them. Watch this space for updates on their progress.

The Nao of Brown by Glyn Dillon

I’ve developed a fairly decent sense of restraint in my old age. Despite my ardent love of comics I will wait until a series is collected in trade paperback, or until I can find it at the library, or obtain it from my galley service. It’s not often that I glance through a book and immediately buy it because I must own it; but this is one of those books.

I had heard good things about it, of course, which is why I picked it up from the shelf in the first place. I knew that it had something to do with Buddhism, and that it had won lots of awards last year; but I hadn’t really properly seen it. And so last night, when I should have been working on my own comics, I devoured this one instead, and am better for it.

The Nao of Brown is the story of a young woman called Nao Brown; she is half-Japanese, half-British, and lives in London with a friend who is a nurse. Nao is a graphic designer in a bit of a downswing, recently dumped by her boyfriend and sacked from the job he had gotten her. She runs into an old friend from school who offers her a job in a geeky toy store that specializes in the kind of Japanese, anime-themed merchandise that Nao loves and knows about.

Nao has a Buddhist meditation practice and other strategies to help her combat her obsessive-compulsive disorder, which causes her to imagine violent things happening to others, especially those who are smaller than her (eg., children). Perhaps that is why she falls in love with Gregory, a burly appliance repairman who knows about Buddhism and Latin; but Gregory has issues of his own.

The Nao of Brown is not a perfect book, but it is so well-realized, from script to art to design. Like Blankets, Essex County, or Fun Home, it is an accomplished auteur piece that I would readily recommend to new readers or veterans alike.

Comics by Sam Alden

Sam Alden is the real deal. I first noticed his work sometime last year, when a link to his comic Eighth Grade made the rounds. Unfortunately I don’t keep up with Tumblr as much as I should, so it was only recently that I caught up on the wealth of material he has online, including standouts like The Farmer’s Dilemma, which made its print debut at this year’s Angouleme festival.

Alden has a good command of brush and ink illustration and a fine colour sense, but what strikes me about his work is how he combines these traditional tools with the fluidity of an infinite canvas. He seems to be fascinated with the forms of the natural world and man’s (or at least his own) relationship with them. I admire his technical skill as well as his willingness to explore his emotions.

For a guy in his early 20s, Alden has built an impressive body of work with the aesthetic and approach of a fine artist who happens to make comics. I hope we get to keep him for a while.

Last Days of an Immortal

Last Days of an Immortal by Gwen De Bonneval and Fabien Vehlmann is one of the most thought-provoking, interesting comics I have read in some time. Set in a future where humankind has evolved beyond violence (mostly) and is in contact with alien races, global law enforcement is composed of philosophers rather than truncheon-wielders. Thanks to advancements in medical science, humans can essentially live forever by transferring their consciousness into multiple identical bodies, with the only negative side effect being a loss of early memories if the minds are re-integrated.

One of the top Philosophical Police agents, Elijah, is called upon to mediate tensions between a couple of alien races; failure to do so could result in great destruction on Earth and off. At the same time, Elijah is disturbed and a little hurt that one of his oldest friends has decided to voluntarily end his own life without telling Elijah. As he investigates the root of the tension between the alien races, he comes to understand both the case and his relationships with greater clarity.

Last Days of an Immortal is an ingenious piece of writing wrapped in an imaginative art style that creates a vision of the future that is both contemporary and quaintly old-fashioned, as if a graphic novel had arrived from the era of Aldous Huxley. Long may it survive.

Tune by Derek Kirk Kim

Young Korean-American cartoonist Derek Kirk Kim won Eisner and Harvey awards for his debut graphic novel Same Difference, and collaborated with Gene Luen Yang on The Eternal Smile. He returns with Tune, the story of an art student called Andy Go who loves comics and drops out of school because he feels he is ready to work professionally. When his dream job does not materialize, his parents force him to look for any job, leading to an interview that seems to good to be true. Meanwhile, he accidentally discovers that the girl he had a crush on in art school is into him too; when the interview leads to a real job that involves some travel, he is torn between taking it to please his parents and staying to explore the potential relationship with his crush.

When I say the job involves some travel, here is where Kim throws the reader a curve: Andy is recruited as an exhibit in an intergalactic zoo, living in a cutaway reproduction of his family home. It’s a clever touch to put Andy into a situation that is alien and yet not so different from home, where his parents provided for him. His alien bosses supply all of his favourite foods, TV, video games; almost everything a young single man could want. His parents’ more traditional Korean values are sometimes played for laughs, such as their reaction when they learn that he will not be returning home for a while.

Like all of Kim’s work, I thoroughly enjoyed Tune and was sorry to read recently that he has decided to step away from drawing his own comics, concentrating instead on writing and filmmaking (Andy Go also appears in a parallel film project called Mythomania). The second volume of Tune, available online at tunecomic.com, was drawn by the equally fine cartoonist Les McClaine (The Middle Man, Jonny Crossbones). Kim has also revealed recently that he is not sure Tune will continue in comics form unless sales of this first collection are strong. I hope that they are, for everyone’s sake. The comics world needs all the Derek Kirk Kim it can get.